THE SOURCES AND SYMPTOMS OF NERVOUSNESS PRIOR TO AND DURING A SINGER’S PERFORMANCE

Authors

  • Zane Andžāne Riga Teacher Training and Educational Management Academy (LV)
  • Māra Marnauza Riga Teacher Training and Educational Management Academy (LV)

DOI:

https://doi.org/10.17770/amcd2012.1220

Keywords:

singers, stage fright, methods of overcoming stage fright

Abstract

Students of vocal performance, as well as professional singers, feel nervousness in front of an audience at concerts, competitions, and exams. The state of nervousness can be a negative factor for the performance of the singer, and therefore it is important for the professional singer to develop not only vocal techniques, but also performance attitudes that help to reduce stage fright. The aim of the study is to analyze the scientific literature about stage fright, its sources, symptoms, and methods of overcoming it. Methods used: analysis of literature, questionnaire. Student self-analysis answers to questionnaire items give evidence, that students feel nervous when performing, and that this negatively influences their command of vocal technique, as well as the artistic interpretation of the song and the artistic quality overall.

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References

Wilson, G. D., Roland, D. (2002). Performance anxiety. In R. Parncutt & G. E. McPherson (Eds.), The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning (pp. 47 – 61). Research on performance anxiety, including treatment approaches and management strategies.

Smith, A. M., Maragos, A. & Van Dyke, A. (2000). Psychology of the musician. In R. Tubiana & P. C. Amadio (Eds.), Medical problems of the intrumentilist musician (pp. 135 – 170). London: Martin Dunitz.

Kesselring, J. (2006). Music performance anxiety. In E. Altenmüller, M. Wiesendanger & J. Kesselring (Eds.), Music, Motor Control and the Brain (pp. 308 – 318). Oxford: University press.

Lehmann, A. C., Sloboda, J. A., Woody, R. H. (2007). Psychology for Musicians. Understanding and Acquiring the Skills. Oxford: University press, pp. 145 – 162.

Kenny, D. T., Ackermann, B. (2009). Optimizing physical and psychological health in performing musicians. In: S. Hallam, I. Cross & M. Thaut (Eds.), The Oxford Handbook of Music Psychology (pp. 390 – 400). Oxford: University press

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Published

28.09.2012

How to Cite

Andžāne, Z., & Marnauza, M. (2012). THE SOURCES AND SYMPTOMS OF NERVOUSNESS PRIOR TO AND DURING A SINGER’S PERFORMANCE. ARTS AND MUSIC IN CULTURAL DISCOURSE. Proceedings of the International Scientific and Practical Conference, 79-84. https://doi.org/10.17770/amcd2012.1220