Innovative solutions of folk music in tradition renovation

Authors

  • Iveta Dukaļska Rezekne Academy of Technologies

DOI:

https://doi.org/10.17770/amcd2014.1330

Keywords:

tradition renovation, traditional music, innovative solutions

Abstract

In the cultural historical experience of humankind the traditions inherited from a generation to a generation form substantial basis for development of any society. With social changes, changes in the lifestyle of a community along with changes in the concept of values, culture develops, based on the model of basic values and innovation. Folk music-making tradition is among the components characterising the culture of a given society, possessing certain specifics: most frequently it means lack of the formal musical training and inability to read notation, meaning that the music is played by ear, the age of musicians, use of folk instruments, situations of performance and repertoire. The article discusses the types of innovation and their influence on the tradition of folk-music-making, also analysing the opportunities for the restoration of the tradition in in the cultural space of the 21st century.

Downloads

Download data is not yet available.

Author Biography

  • Iveta Dukaļska, Rezekne Academy of Technologies
    Mg. philol., Rezekne Higher Education Institution,
    Lecturer.
    In 2003 she graduted Rezekne Higher Education Institution and has taken Bachelor’s degree of humanities in history. In 2006 she took Master’s degree in philology in the branch of folklore studies at University of Latvia. In 2013 she graduted doctoral studies program „Philology” at University of Latvia. The main trends of research: traditional culture, folk music, folklore. A particular attention in her research works has been paid to the traditional culture and music of Latgale region.

References

Bula, D. (2011). Mūsdienu folkloristika paradigmas maiņa. Rīga: Zinātne.

Handler, R., Linnekin, J. (1984). Tradition, Genuine or Spurious. Journal of American Folklore. Vol. 97, No. 385.

Lauka pētījumu materiāli. (2001.-2014.). I. Dukaļskas personīgais arhīvs. 4. Negus, K., Pickering, M. (2004). Creativity, Communication and Cultural Value. London: SAGE Publications.

Pekkila, E. (1991). Folk music, tourism and authenticity. Finnish-Hungarian symposium on music & folklore research 15.-21.11.1987. Tampere (ed. Antti Koiranen). Tampere: Tampereen yliopiston kansanperinteen laitos.

Tautas muzikantu svētku video ieraksti (2003.-2014.). I. Dukaļskas personīgais arhīvs.

Чернявская, Ю.(1998). Народная культура и национальные традиции. Минск: Вестник Томского государственного университета № 1. Skatīts 11.08.2014. http://www.gumer.info/bibliotek_Buks/Culture/Chern/index.php.

Колодин, А. (2011). Культура как явление и понятие. Культура веры. Путеводитель сомневающихся. Skatīts 14.08.2014. http://religiocivilis.ru/component/content/article/1307--tradicii- i-innovacii-v-kulture.html?start=3.

Логинова, М. (2011). Проблема инновации в культуре. Журнал "Регионология" №2. http://regionsar.ru/node/714.

Заицева, Т. (2011). Проблема взаимодействия традиции и новации в контексте изучения многообразия культурного опыта (региональные и локальные измерения). Минск: Вестник Томскогогосударственного университета № 1. skatīts 11.08.2014.

http://cyberleninka.ru/article/n/problema-vzaimodeystviya-traditsii-i-novatsii-v-kontekste-izucheniya- mnogoobraziya-kulturnogo-opyta-regionalnye-i-lokalnye-izmereniya#ixzz30pZtK9bE.

Downloads

Published

28.09.2014

How to Cite

Dukaļska, I. (2014). Innovative solutions of folk music in tradition renovation. ARTS AND MUSIC IN CULTURAL DISCOURSE. Proceedings of the International Scientific and Practical Conference, 107-115. https://doi.org/10.17770/amcd2014.1330