Painters and Painting on the Porcelain, Contemporary Porcelain Collection of the Latvian Painters at Zvartava Castle

Authors

  • Inese Brants Art Academy of Latvia

DOI:

https://doi.org/10.17770/amcd2012.1221

Keywords:

contemporary Porcelain Painting Collection, Latvian painters, Celmiņa, Heinrihsone, Heinrihsons, Ivanovs, Krastiņa, Krivenkova, Maurīte, Zvārtava castle

Abstract

The goal of paper is to actualize the importance of Latvian Artit`s Contemporary Porcelain Collection of Zvartava in the Regional cultural meaning with context of Latvian art process development. Briefly characterizing the style of creative expression of the most prestigious Latvia painters compare with the distinctive characteristic features of the porcelain painting techniques. The art historian statements illustrate the painters' creative style of their artistic handwriting characteristic of paintings by period. Teachers experience by giving the Master classes of Porcelain Painting to famous Latvian artists grow up my practical experience of porcelain painting technical problems for painters. Visual materials contents from photographic images what was taken by me during the Porcelain Painting Symposia. Avant-garde, artistic, modern and free approach to porcelain painting is quite distinct from china industrial design and mass production. The Contemporary Porcelain Painting Collection of Latvia Artists Union in Zvartava castle lists also has no analogues in the world and may be considered to cultural phenomenon of the Latvia and world art scene.

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Author Biography

  • Inese Brants, Art Academy of Latvia
    Mg. art, Ph.D. candidate Latvian Academy of Art. Porcelain painting workshops driver of Latvia Artist Union Art Center Zvartava. BJC Laimīte Porcelain painting and ceramics studios driver. Porcelain artist, a member of the Latvia Artist Union. An author of 5 scientific articles has participated in international Scientific and Art conferences Latvia University, Dugavpils, Rezekne Universities and International projects: 2011 – Grundtvig-2010-1-LV1-GRU13-00919 porcelain painting workshops driver, Together 2011, and 2012 – Head and lecturer, Methodology for art teachers, Easy way to porcelain, Grundtvig TRAINING DATABASE – Reference No. EN-2012-029-001. Scientific field of interest: Porcelain art, history of porcelain decorating, technique development and practice. Decorating technique practice and uses in the contemporary arts.

References

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Kļaviņš, E. (2002). Ivars Heinrihsons, izstādes katalogs. Rīga: b/o Neputns SIA.

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Vavilova, I., Krastiņa, S. (2009). Ja kāds būt teicis? Izstādes katalogs. Rīga: Galerija Daugava.

Ansone, E., Žeivate, I., (2008). Asums, Tatjana Krivenkova – gleznas un zīmējumi. Rīga: Māksla XO Galerija.

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Ilze Vavilova. (2009). ,,Vai kādam tas jāstāsta?,, Sandra Krastiņa, 04.03. – 23.03.2009. Galerijā Daugava. Skatīts 31.03.2012. http://www.studija.lv/?parent=483.

Sandra Krastiņa. (2011). Skatīts 31.03.2012. http://www.riga-gallery.com.

Ritums Ivanovs. (2012). Skatīts 31.03.2012. http://www.riga-gallery.com/inner.php?menu=art&art_cont=16&lang.

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Ineses Brants fotoattēli: Nr. 1, Nr. 2, Nr. 3, Nr. 4, Nr. 5, Nr. 6, Nr. 7, Nr. 8, un Nr. 9.

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Published

28.09.2012

How to Cite

Brants, I. (2012). Painters and Painting on the Porcelain, Contemporary Porcelain Collection of the Latvian Painters at Zvartava Castle. ARTS AND MUSIC IN CULTURAL DISCOURSE. Proceedings of the International Scientific and Practical Conference, 144-155. https://doi.org/10.17770/amcd2012.1221