ART SPACE: AN EXPERIMENTAL DIGITAL ART GAME
DOI:
https://doi.org/10.17770/sie2020vol5.4817Keywords:
aesthetics of modernism, digital art game, futurism, knowledge transfer, photorealismAbstract
The article examines the discourse concerning modern game theory and suggests a new method of research and knowledge transfer in the field of digital art game creation. The method is embodied in the new game Art Space that utilizes current research results in the field of contemporary aesthetics. Art Space is an experimental digital game that is being created in collaboration between researcher, Dr.art. Ieva Gintere (Vidzeme University of Applied Sciences, Latvia) and the game artist, Mag.art. Kristaps Biters (Liepāja University, Latvia) within the framework of a post-doctoral project. The concept of this new art game arises from the historical heritage of modern art. The aim of the game is knowledge transfer: the author has been carrying out research into contemporary digital games in order to transfer the results of the research to develop an appreciation and understanding of aesthetics in Art Game’s players. The game links aesthetics to art games by identifying modern trends such as pixel art, glitch, noise, and others. Due to the dearth of written information on the subject of modern art heritage in digital games, the study presents an innovative approach to art gaming explaining modern art’s cultural backgrounds. The methods used are audio-visual and stylistic analyses of games as well as studies of the existing literature. The project hopes to raise the interest of the wider public concerning contemporary art and music, point out the newest creative tendencies in art, and suggest potential changes in the language of art in the near future. This paper continues previously published research that helped to create the concept and design of Art Space, and focuses on the trends of photorealism and futurism.
References
Almeida, M. S. O., & da Silva, F. C. S. (2013). A Systematic Review of Game Design Methods and Tools. 12th International Conference on Entertainment Computing, 17-29. DOI: 10.1007/978-3-642-41106-9_3.
Becker, K. & Parker, J. (2014). Methods of Design: An Overview of Game Design Techniques. In J. Schrier (Ed.), Learning, Education and Games (179-198). Pittsburgh: ETC Press.
Clark, J. (2016). Bound, Review. Retrieved from https://www.gamespot.com/images/1300-3112048.
Diver, M. (2017). Dear Esther Live, Interview. Retrieved from https://www.warwickartscentre.co.uk/news/2017-2/11/dear-esther-live-interview-/.
Djaouti, D., Alvarez, J., & Jessel, J.-P. (2011). Classifying Serious Games: The G/P/S Model. In P. Felicia (Ed.), Handbook of Research on Improving Learning and Motivation through Educational Games: Multidisciplinary Approaches (118-136). Hershey, Derry Township.
Djaouti, D., Alvarez, J., Jessel, J.-P., & Methel, G. (2008). Towards a Classification of Video Games. International Journal of Computer Games Technology. Retrieved from http://www.ludoscience.com/files/ressources/aisb07_towards_a_classificatio.pdf.
Drucker, J. (2014). Graphesis: Visual Forms of Knowledge. Harvard University Press.
Elverdam, C., & Aarseth, E. (2007). Construction Through Critical Analysis. Games and Culture, 2(1). Sage Publications. Retrieved from http://nideffer.net/classes/270-08/week_05_design/classification_and_design_aarseth_elverdam.pdf
Flanagan, M. (2009). Critical Play: Radical Game Design. Cambridge etc.: The MIT Press.
Gee, L. L. S., & Dolah, J. (2018). Influence of Form, Texture and Shading on ‘Abstract’ and ‘Realistic’ Style Preferences: An Overview of Design Characteristics through Incidental Thematic Results. Advances in Social Science, Education and Humanities Research, 207 (3rd International Conference on Creative Media, Design and Technology), 38-43.
Gintere, I., Zagorskis, V., & Kapenieks, A. (2018). Concepts of E-learning Accessibility Improvement – Codes of New Media Art and User Behaviour Study. 10th CSEDU International Conference on Computer Supported Education, 1, 426-431. DOI: 10.5220/0006787304260431.
Gintere, I. (2019a). A New Digital Art Game: The Art of the Future. Society. Integration. Education”, 4, 346-360. DOI: http://dx.doi.org/10.17770/sie2019vol4.3674
Gintere, I. (2019b). Towards a New Digital Game of Contemporary Aesthetics: Research and Knowledge Transfer. Society. Technology. Solutions. Valmiera: Vidzeme University of Applied Sciences. April 25th-26th, 2019 [accepted to be published].
Gintere, I. (2020). The Inclusion of Research and Knowledge Transfer in Art Games. Proceedings of the International Scientific Conference “New Challenges in Economic and Business Development”, May 14th-16th. Riga: University of Latvia [accepted to be published].
Grant, J., & Vysniauskas, A. (2004). Digital Art for the 21st Century: Renderosity. London: AAPPL Artists’ and Photographers’ Press Ltd.
Grau, O. (2003). Virtual Art: from Illusion to Immersion. The MIT Press.
Haines, D., & Hinterding, J. (2011). The Outlands. Retrieved from http://www.haineshinterding.net/2011/06/29/the-outlands/.
Homolka, S., Price, B. A., & Sutherland, K. (2007). The Remaking of a Modernist Icon: Marcel Duchamp’s Nude Descending a Staircase (No. 3). The Book & Paper Group/ICOM-CC Graphic Documents Joint Session, AIC 35th Annual Meeting, 45-52. Retrieved from https://cool.conservation-us.org/coolaic/sg/bpg/annual/v26/bp26-07.pdf.
Jakdonlan (2019). Visual Style and Graphics in Games. Available at: https://jakdonlan.wordpress.com/about/visual-style-and-graphics-in-games/.
Jansson, M. (2010). Game Art: John Paul Bichard, a Pioneer of In-Game Photography. GameScenes: Art in the Age of Videogames, Retrieved from https://www.gamescenes.org/2010/11/interview-with-john-paul-bichard-pioneer-of-in-game-photography.html.
Järvinen, A. (2002). Gran Stylissimo: The Audiovisual Elements and Styles in Computer and Videogames. Proceedings of Computer Games and Digital Cultures Conference, 113-128.
Kane, C. L. (2014). Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code. Chicago, London: University of Chicago Press.
Kleckner, S. (2014). Digital Futurism: A Discussion about a Popular Video Game Art Style (part 1). Retrieved from https://venturebeat.com/2014/08/02/digital-futurism-part-1-a-discussion-about-a-popular-video-game-art-style/.
Koc, A. (2017). Do You Want Vaporwave, or Do You Want the Truth? Cognitive Mapping of Late Capitalist Affect in the Virtual Lifeworld of Vaporwave. Capacious: Journal of Emerging Affect Inquiry, 1(1), 57-76.
Kūlis, M. (2015). Saskaņu māksla. Datori. Grafika. Dizains. Rīga: Jāņa Rozes apgāds.
Lieser, W. (2010). The World of Digital Art. Potsdam: Tandem Verlag GmbH.
Lovejoy, M. (2004). Digital Currents: Art in the Electronic Age. London: Routledge.
Mayer, I., Bekebrede, G., Harteveld, C., Warmelink, H., et al. (2014). The research and Evaluation of Serious Games: Toward a Comprehensive Methodology. British Journal of Educational Technology, 45(3), 502-527. DOI: 10.1111/bjet.12067.
Paul, C. (2003). Digital Art. London: Thames & Hudson.
Pearce, C. (2006). The Aesthetics of Play. Visible Language, 40(1). California: Rhode Island School of Design, 66-89.
Plastic Studios (2016). Bound. Retrieved from https://www.youtube.com/watch?v=aE37l6RvF-c&frags=pl%2Cwn.
Pring, R. (2003). Www.colour: Effective Use of Colour for Web Page Design. London: Cassel Illustrated.
Quaranta, D. (2006). Game Aesthetics: How Videogames are Transforming Contemporary Art. In D. Quaranta & M. Bittanti (Eds.), GameScenes: Art in the Age of Videogames (297-308). Milan: Johan and Levi.
The Chinese Room (2012). Dear Esther. Retrieved from https://www.youtube.com/watch?v=hlGdbziSwEY&frags=pl%2Cwn.
Waern, A., Back, J. (2015). Experimental Game Design. In P. Lankoski & S. Björk (Eds.), Game Research Methods: An Overview (341-354). [Pittsburgh:] ETC Press.
Wiedermann, J. (ed.) (2002). Taschen’s 1000 Favourite Websites. Köln, London, etc.: Taschen.
Wolf, M. J. P. (2003). Abstraction in the Video Game. In M. J. P. Wolf & B. Perron (Eds.), The Video Game Theory Reader (47-57). New York, London: Routledge.
Downloads
Published
Issue
Section
How to Cite
